Search This Blog

Wednesday 24 November 2010

The Weather Man

Just watched this and thought I'd do a review.

Definitely post-modern in it's thinking, this depressing film goes for realism in a big way, by looking at the life of David Spritz, (Nicholas Cage), a Chicago weatherman separated from his wife and kids who negotiates his misery and tries to reconcile the disparate parts of his life. With the help of his father Robert, (Michael Caine), whose approval and affection he constantly seeks, he tries to be a better person and miserably fails, whilst trying to support his father through diagnosis of a terminal disease. His father is a prize-winning author and journalist now retired who's shadow David tries to live up to.

The film's narrative is understandably slow as it follows the minutiae of David's life, from hope to hope as he tries different tactics to be a better father to his two kids and reconcile with his wife, grabbing the new opportunity of a job offer with a major network to try and solve his problem of absence.

Basically, all these attempts fail and the film ends depressingly with a 'there you go then, that's life' kind of conclusion.

I don't dent that sometimes life is like that, (after all I'm living that at the moment in some ways!) but I found it depressing that there seemed to be no redemption for the main character in anything, and he resignedly admits there's nothing he can do. It was a depressing take on how empty life can become if your life is your work I guess, and a pointing to what sometimes is an embarrassingly male phenomenon of 'lack of presence' or 'lack of attention'.

In the film every other character is seen to lack interaction with David, real meaningful interaction, as David tries too hard, and tries to force intimacy with his children, wife and father that obviously died a long time ago. An interesting part of the plot is that strangers randomly throw fast food at him in the street from time to time, and he eventually realises that people do that, because he appears to be a shallow, unconnected person on their screens. Eventually, he realises that this is the truth about himself, and towards the end of the film he resigns himself to taking the big salary job in new York. Personal success and professional success are mutually exclusive, and he realises that he has nothing left personally to keep him where he is.

I found this film really depressing, and whilst this sad story might be a reality for some people, I think the writers maybe were trying to make a point about the way we view our work, and how important human interaction is. I found it strange though, that they didn't give any chance for David to change, it seemed his fate was inevitable, even though he tried to change it. Filmed very well, but not really one I'd like to watch again!

No comments:

Post a Comment